<Aseptic Field>,Boogie Woogie Photography, 2024
<不太純粹理性批判>, SIMULACRA Gallery, 2023
<Disorder Sensing,無秩序感光>, Boogie Woogie Photography, 2022
簡介：
香港作為一個中⻄文化的交匯點,如此背景也啟發年輕攝影師雷安喬進行「中體⻄用」的創作,她將感光相紙折疊為針孔相機,或砸到牆上、或拋入洗衣機內,進行無秩序感光。在相紙進行感光前,她依靠心像和經驗在全黑的封閉環境操作,最後獲得絢麗斑斕的影像。過程中她深刻感受到《道德經》中「萬物負陰而抱陽,冲氣以為和」的哲學,相紙在經歷黑暗與光明後展現出陰陽平衡所帶來的美麗,正正與道學理念不謀而合。
Intro：
The culture of Hong Kong is a mix of Chinese and Western influences. Such background inspired photographer Lean Lui's artistic experimentations project "Disorder Sensing" (2022). She folded the light-sensitive paper into a pinhole camera, repeatedly threw it at the wall, or tossed it in a washing machine for exposure.
The process is done in complete darkness, relies on her experience and imagination, and finally obtains a series of abstract and gorgeous tints on paper. The process echoes Lui's interests in Tao Te Ching, which says, "everything bears Yin and embraces Yang, and rushes into harmony." After experiencing darkness and light, the photographic paper shows the beauty brought by the balance of Yin and Yang, which is reminiscent of the Taoist philosophy.
“Epoch” 驀, Eaton HK, 2020
<19.29>, Book and Sons (Tokyo, Japan), 2019
<19.29>, Three-Shadow Photography Award Exhibition 北京三影堂攝影獎展覽 (Beijing,China), 2018
<19.29>, SPACE PLACE(Russia), 2019
<初見人間>, Eslite HK, 2019
